Lena Waithe Has A Lot Of Nerve

So, let me just cut to the chase, son. The way I see it, Lena Waithe needs to lay low right now. I mean, given all of the fuckery surrounding Jason Mitchell and The Chi, she probably shouldn’t be calling out Will Smith and Denzel Washington. Hell, those who live in glass houses shouldn’t throw stones, man. All in all, I don’t necessarily have a problem with the message, fam. The truth is, I have a REAL issue with the messenger, bruh.

Ok, for those who missed it, Waithe just tried to take Smith, Washington and other Black actors to task. Basically, she feels like not enough high-profile Black actors are funding independent films from Black directors and writers. As an example, she noted that Brad Pitt‘s production company, Plan B, was the entity behind Moonlight and 12 Years a Slave. In her view, that responsibility should lie with folks within the Black community.

Now, I’m not going to sit here and pretend like Waithe doesn’t have a point, son. Shit, as a Black dude, I would love for actors like Smith and Washington to back as many Black films as humanly possible. On the real, I absolutely believe it’s our community’s job to pay it forward, man. However, given the way Waithe (didn’t) handle that Jason Mitchell situation, I feel like she is the LAST person who should sound judgy about anyone, fam.

Look, it’s kind of hard for me to look at her as a champion for Black people when she wasn’t a champion for women, bruh. Real talk, two women were sexually assaulted on HER SHOW and she barely did anything about it, son. First, Tiffany Boone complained about Mitchell’s inappropriate behavior. From there, instead of firing him, Waithe hired Ayanna Floyd Davis as the showrunner. Next, when it was clear that Mitchell was still on that fuckity-fuck shit, Waithe’s response was in poor taste, man.

Listen, in response to Floyd Davis’ gripes, Waithe literally said “I don’t regret making a Black woman a showrunner. I do regret trusting her to handle it all by herself. Just cause you look like me, don’t mean you act like me.” Fam, what the fuck does that even mean?! Shit, it sounds like she’s blaming Floyd Davis for not having control of the situation. But, why should it be on her to stop Mitchell’s harassment, bruh? Nah, homie should’ve been kicked off of the fucking show from the gate, son!

In the end, maybe I’m being a little hard on Waithe, man. Then again, I don’t really give a shit, fam. The fact is, if women are getting assaulted on Waithe’s show, I don’t want to hear her opinion on other Black actors. Ultimately, she should take care of home before she comes for someone else’s neck, bruh. By and by, her callout rubbed me the wrong way, son. At the end of the day, she’s right and deadass wrong at the same fucking time, brethren. That is all. LC out.

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A Diehard Fan’s Thoughts On The Wu-Tang Documentary

So, anyone who knows me knows that I am a MASSIVE Wu-Tang Clan fan. I mean, I used to wear Clarks Wallabees because of Raekwon and Ghostface Killah. Hell, I’m wearing a damn Cuban Link chain as I write this, son. In any case, it goes without saying that I was HYPED to watch Wu-Tang Clan: Of Mics and Men, Showtime‘s new documentary. All in all, as much as I enjoyed the film, I also completely understand why the group fractured, man.

Ok, for those who haven’t watched it yet, I’m going to be throwing out mad spoilers, fam. Anyway, the fact of the matter is, business broke up the squad, bruh. Now, when I say “business,” it’s really the lack of business understanding, son. Like, over the years, various members thought RZA and his brother Divine were taking money from them. Look, maybe the were. However, to me, I thought the brothers were engaged in regular business practices, man.

For example, there’s a scene in the fourth episode where Ghostface is arguing with Divine about commission. In Ghost’s mind, if Divine brings him a $1 million deal, Ghost should get all of the money. Divine’s stance is that he would take $200,000 as a finder’s fee. Shit, I’m with Divine, fam. Look, if Divine is out there securing the bag, why would he not get a portion? Real talk, sport agents get commission and lawyers get pieces of settlements. The way I see it, it’s only right, bruh.

As another example, in the third episode of the doc, we see a rift between RZA and Ol’ Dirty Bastard. So, when ODB got out of prison, he didn’t understand why the other members were let out of their deal with Wu-Tang Productions, but RZA and Divine were reluctant to let ODB go. Now, in RZA’s mind, he thought he had the perfect plan to resurrect Dirty’s career. All I can say is, given the immaculate work that RZA did in the beginning, I wouldn’t bet against him, son. Instead, Dirty decided to go with Roc-A-Fella Records and they did absolutely nothing with him, man. With all of that being said, was the move worth it, fam?

Now, to be fair, the group members were deadass right about that Once Upon a Time in Shaolin album. Frankly, they got duped into making a project by Cilvaringz and RZA. To make matters worse, it wholly sucks that Martin Shkreli ended up with the record, bruh. The fact is, that chapter was a stain on the Wu name, son. All I know is, that album should’ve never happened, son.

Besides that, the fact remains that the group was at its apex when RZA made the beats and Divine ran the business. Hell, can anyone argue with Wu-Tang’s run from 1993 to 1997? Keeping it a buck, that period was the greatest shit in the world to me. Sadly, “homie business” got in the way of a conglomerate, man. On the real, a lack of business knowledge got in the way of a seemingly unstoppable force. Regardless, I’m just happy that they’re back together and cooking up, fam. Shit, I lost my mind while watching them perform at the A3C Festival last year. For me, a group like that should never break up, bruh.

In the end, I recommend this documentary to everyone. Truthfully, I thought the episodes could be disjointed at times, but there was so much behind the scenes footage that I let my gripes go, son. Ultimately, shout-out to Mass Appeal, man. By and by, any documentary that shows me the recording process of “C.R.E.A.M.” is good in my book, fam. At the end of the day, Wu-Tang is for the children, bruh. That is all. LC out.