White On White Crime: Eminem vs. Machine Gun Kelly

So, let me get straight to the point, son. On the real, I have NO idea what songs people are listening to, man. I mean, there are really folks out there who believe Machine Gun Kelly beat Eminem? Like, they really believe “Rap Devil” is better than “KILLSHOT?” Really?! Shit, if that’s the case, I’d like someone to clarify what the criteria is, fam. Is it based on lyrics? Is it based on hooks? Is it based on the beat? Seriously, I’d like someone to explain this shit to me because there is NO way MGK got the upper hand here, bruh.

Ok, before I continue, let me make something clear, son: I’m actually an MGK fan. Real talk, I think he’s an under appreciated artist, man. Frankly, he’s a great live performer and he can actually rap. Keeping it a buck, I was bumping the hell out of his Bloom album when it dropped, fam. Side note, everyone should go listen to “Golden God,” bruh. That song is fucking tough, people! In any case, I just wanted to make my stance on MGK known, folks. I don’t want anyone to think I’m just being a hater here. With that being said, Em cleaned him up on “KILLSHOT.”

Listen, let’s go through some of the lyrics on “Rap Devil,” son. Are folks trying to tell me that “your beard is weird” lyrics are hurting Eminem? Are folks trying to tell me that bars about sweatsuits and “corny hats” are hurting Eminem? Man, get the fuckity-fuck outta here! Look, do I think “KILLSHOT” is Em’s best diss? Hell no! However, lines like “the day you put out a hit’s the day Diddy admits that he put the hit out that got Pac killed” are better than ANYTHING in MGK’s song. For God‘s sake, do lyrics matter at all anymore? Is comprehension that low, fam? All in all, a cool hook and an 808-laced beat can’t fight the obvious, bruh. It just is what it is.

In the end, this is just my opinion, son. Ultimately, I have a right to think that motherfuckers are crazy, man. At the end of the day, people can decide for themselves, fam. With that being said, both diss tracks are below, bruh. By and by, I love Rap beef, people! More bars, more insults, more drama! Let’s do this! That is all. LC out.

Advertisements

RIP Craig Mack

Damn, son. *Sigh* Here we are again, man. Another day, another rapper from my childhood facing an untimely demise. Look, all I know is, Craig Mack never got the credit he deserved, fam. I mean, if we’re being real, he jumpstarted Diddy‘s career, bruh. Ok, yes, I’m well aware of Puff’s tenure at Uptown Records and his work with Jodeci/Mary J. Blige. However; Puff laid the foundation for Bad Boy Records on Mack’s back. Frankly, if it wasn’t for Mack, there might not have been a Bad Boy empire.

Ok, before I continue, let me get one thing out of the way, son. Listen, 46 years old is WAY too young to die from heart failure, man! Now, I have no idea what Mack’s health was like in his final days. But, as a 32-year-old dude, the thought of dying in 10 or so years is frightening, fam! Real talk, that’s one of the main reasons why I started getting back in shape, bruh. Yeah, looking good is nice and all, but I’m more so petrified of dying in poor health. So, stories like Mack scare the fuck out of me, folks! All in all, we need to make sure we’re taking the best care of ourselves.

Moving on, let’s talk about Mack’s legacy. Now, for those who are unaware, Mack legitimately started the Bad Boy run. I mean, not only was/is “Flava In Ya Ear” a classic song, but it was also Bad Boy’s first release. That’s right, people, The Notorious B.I.G. didn’t put out the label’s first music. Ok, yes, Ready To Die ending up coming out a week before Mack’s Project: Funk da World. But, Bad Boy’s momentum began with Mack. Real talk, if “Flava In Ya Ear” never took off, we might not have ever gotten the rest of the label’s discography. With that being said, everyone needs to put some respect on Mack’s name, son.

In the end, I don’t want Mack’s influence to go unrecognized. Ultimately, he’s important to Hip Hop‘s history, whether people know it or not. By and by, Rest In Peace to Craig Mack! At the end of the day, he died too young, man. That is all. LC out.

P.S. For anyone who’s in the dark about Mack’s music, go check out Project: Funk da World. Shit, “Flava In Ya Ear” is a given, but “Get Down” is also supremely fire, fam. Good day.

Did André 3000 Really Diss Drake?


Well, well, well, what do we have here, son? A verse from the one and only André 3000. Now, I’m not being superfluous when I say this, but I really think 3 Stacks has only dropped two verses in my youngest son’s lifetime. Given his reclusive nature, getting two or three verses since the beginning of 2014 is progress, man. With that being said, I’d be remiss if I didn’t over analyze every line on his recent contribution to Frank Ocean‘s Blond album. Namely, did he really come for Drake‘s neck?

First, let me just acknowledge the fact Frank Ocean put out not one but TWO albums last week. After threatening to do harm to pets if he didn’t release a record, Ocean finally honored my request and flooded the market with new tunes. With that being said, everyone reading this should thank me. I made all of this happen, bruh. Side bar, as of right now, I’m not the biggest fan of either Blond or Endless, but I’ll save that hot take for another time, son.

In any case, the real news right now is the speculation behind 3000’s lyrics on “Solo (Reprise).” While he wax poetically on a variety of topics ranging from the hardships of being a woman to police violence, it was his thought process on ghostwriting that raised the world’s collective Rock eyebrow. Towards the end of the song, Dré states “After 20 years in, I’m so naive I was under the impression that everyone wrote they own verses, it’s coming back different and yeah that shit hurts me.” Immediately, social media lost its fucking mind and everyone assumed he was referring to good ol’ Drake.

Now, I have two conflicting thoughts about 3000’s intentions with those bars. On one hand, why the fuck would someone of his magnitude come out of hibernation just to take a swipe at Drake? Dré’s never been the one to do things simply for recognition, and as a longtime fan, I’ve never seen him beef with anyone. In addition, Drake ain’t the only dude who’s used ghostwriters in Hip Hop history. At this point, if anyone is shocked to learn Dr. Dre, Diddy and Kanye West don’t write all of their rhymes, I would question whether they’re familiar with Rap music at all. Hell, even the first Rap hit inadvertently had a ghostwriter, son. Grandmaster Caz wrote the rhyme Big Bank Hank said on The Sugarhill Gang‘s “Rapper’s Delight.” This practice is far from new in Hip Hop, man.

On the other hand, of COURSE he’s talking about Drake, son. Ever since Meek Mill jumped off of the ledge and called Drake out for not penning his own bars, he’s been the most public example of a potentially fradulent rapper. At this point, he’s the main guy getting called out for using other artists’ words. So, who else would really inspire 3000 to take this stance at this particular time? Either way, Drake needs to sit this one out, man. Look, I’ve already said he needed to avoid Eminem like the Zika Virus. Now, he damn sure needs to add 3 Stacks to that list. Any man who can spit the shit he did on “Return of the ‘G’” is not to be fucked with, son.

Ultimately, I’m just glad André found his way into someone’s vocal booth. While I gave up hope for a solo album a long time ago, I’m just happy to know he’s still a fucking animal. Welcome back, 3000. Welcome back. Now, just please put out another record before I have another kid. Thanks and good day.