I Don’t Know What I’m Hearing On This Childish Gambino Album

So, I won’t lie, son. On the real, the title of this post is a bit misleading, man. I mean, on face value, it may seem as if I’m questioning Childish Gambino‘s direction on his 3.15.20 album. However, this entire article is about to be on some Stan shit, fam. All I know is, I have no fucking idea what I’m hearing on Donald Glover‘s new project. But, I can safely say that I love the shit out of it, bruh.

Ok, for those who missed it, Gambino just released his fourth album. Now, the manner in which this project was released has been true to form for Glover: weird. First, last Sunday (3/15/20 *hint hint*), Gambino uploaded the album to donaldgloverpresents.com. Anyway, for about 12 hours, the project was on a continuous loop on the website. After that period of time, the music was taken down and we were all left to wonder what the fuck just happened. Fast forward to last night, Gambino released the album, now titled 3.15.20, on all streaming platforms. Needless to say, I was fucking HYPED, son!

Now, in regards to the music, there’s nothing straightforward about this project, man. Like, the tracks can’t be confined to one genre and a number of them have multiple sections. All in all, there’s a high-level of musicianship running through this album, fam. From the guitars to the synths to the vocal harmonies, the songs have a lot of elements that are in my bag, bruh. On top of that, “Feels Like Summer,” which is now called “42.26,” is still my shit, son. The point is, I’m fucking happy to have my new coronavirus soundtrack, brethren.

In the end, there’s nothing else to say, son. Ultimately, everyone needs to go listen to the album, man. By and by, it might be a challenging listen for some people. But, as someone who worships Prince, I’m all about challenging listens, fam. Side note, I’m not comparing Gambino to Prince, but I applaud any artist who (successfully) takes risks. At the end of the day, I’ve never been disappointed by a Childish Gambino project (not even Camp). Today is not the day to start, folks. That is all. LC out.

P.S. Shout-out to DJ Dahi and Ludwig Göransson. All I can say is, they did their fucking thing on the production, son. Good day.

P.P.S. Here are some of my favorite tunes from the album. Ok, I’m really done now.

Have Folks Forgiven Justin Timberlake Yet?

So, I won’t lie, son. On the real, I’ve been a Justin Timberlake fan for over 20 years. I mean, I’ve been down since NSYNC dropped “I Want You Back” and “Tearin’ Up My Heart.” But, I really knew what time it was when they came out with “Gone.” At that point, I knew that Timberlake was different, man. Moving on, I was onboard when he released Justified, FutureSex/LoveSounds and The 20/20 Experience. Needless to say, I was super disappointed when that Man of the Woods fuckery came out. But, have we as a collective forgiven him for that train wreck of an album yet?

Ok, to be fair, there’s a segment of the (Black) population that was done with Timberlake after he threw Janet Jackson under the bus for that Super Bowl nipple. Real talk, I don’t blame anybody for that, fam. Like, that was still a hoe ass move on his part, bruh. However, as a voracious consumer of music, I’ve always championed Timberlake’s talent, son. Shit, even Man of the Woods had some jams on it, man. All I can say is, I stand by my previous assessment of “Filthy,” “Higher, Higher,” “Wave” and “Breeze Off the Pond.” But, given the departure in sound and the “White boy in flannel” promotion, a lot of folks turned in their Timberlake Fan Club pass.

Now, in all honesty, Timberlake’s new song with SZA is what inspired this post. All in all, I fucks with that track heavy and it feels like the sound that we’ve always loved from Timberlake. So, can we let him slide for Man of the Woods already? The way I see it, we can give him a pass for one trash ass album, brethren. For God‘s sake, he’s given us so many jams, son. In addition, if we’re going to blame him for that record, we also have to blame The Neptunes, Timbaland and Danja. Hell, they made those songs with him, man. Anyway, I’m willing to let bygones be bygones if he’s going to go back to making crack like “The Other Side.”

In the end, shout-out to Timberlake, SZA, Ludwig Göransson and Max Martin for making my current jam. Ultimately, this is the type of shit that I want from Timberlake, fam. By and by, everyone can peep the video below. At the end of the day, as long as he doesn’t try to mix banjos and 808‘s again, we’ll be good, bruh. That is all. LC out.