Joe Budden Needs To Chill

Look, I’m actually a Joe Budden fan, man. I mean, I’ve already expressed that sentiment on this very blog. However; at this point, there is something that Joe needs to learn: chill the fuck out, fam! Damn, this dude finds himself in some bullshit every time he steps outside. Listen, whether it’s his feud with Drake or his on-air clash with Lil Yachty, Joe always ends up in some unnecessary tomfoolery. Now, with all of that being said, after his wild interview with Migos, Joe needs to either curb his attitude or pick a different career path.

So, shit went left while Joe, DJ Akademiks and Nadeska Alexis interviewed Migos at the 2017 BET Awards. Joe and company were all representing Everyday Struggle, a show on Complex. During the conversation, Akademiks asked Takeoff, one-third of Migos, how he felt about being left off of “Bad and Boujee,” the group’s biggest hit. For some reason, Takeoff said he wasn’t left off of the track. Umm, maybe he confused himself with Lil Uzi Vert, son.

In any case, Ak asked him to repeat himself a number of times and Joe stated that he wanted to wrap up the interview. From there, Quavo responded to Joe’s comment, then Joe suddenly got up and dropped his mic. Needless to say, Migos and company wanted to slap the beard off of Joe’s face.

Now, here’s my thing: why was any of this necessary, son? Ok, yes, Joe is known as an ornery rapper. Yes, he’s known to snap at Ak on a regular basis. But, he’s supposed to be a damn media personality now, man! If the interview isn’t going well, either switch up the line of questioning or find a smoother way to end the talk. Why the fuck would he just get up and drop his mic? Man, if I was in Migos, I would’ve felt a way too. Like, the entire situation was unprofessional, fam. Anger is not the way to solve every fucking problem, bruh! Joe needs to learn some fucking couth and a little patience.

Frankly, I don’t know who Joe was pissed at. Was it Ak or was it Migos? Now, my money is on Ak, but even still, there’s a better way to handle this situation, son. Shit, look at what almost happened, man! One flippant act almost got Joe stomped out by an entire entourage. On the real, the shit doesn’t make any sense, fam. Joe just needs to relax, bruh.

In the end, Joe needs to make a decision. Does he really want to be a media personality? If not, he can go home and be mad inside his house with Cyn Santana. If he does, then he needs to learn how to handle these incidents better. Ultimately, nobody should get their ass kicked over a “Bad and Boujee” question, son. That is all. LC out.

P.S. Offset is the dopest member of Migos, man. Yes, I know, that has nothing to do with nothing, but I just had to say that, fam. Peace.

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Migos Needs To Drop Their Album NOW!

Look, let’s be clear here: Migos‘ “Bad and Boojee” is the best song ever. Donald Glover already told everyone this during the Golden Globes, son. Ok, it may be a stretch to say it’s the best song ever, but dammit, I enjoy EVERYTHING about that joint, man. Shit, I even enjoy Lil Uzi Vert‘s verse and I’m not the biggest fan of his music. With that being said, all I know is, Migos needs to drop their Culture album right this second! Their buzz can’t get any higher, son. It’s go time, bro!

Now, as of yesterday, “Bad and Boujee” is the number-one song on the Billboard Hot 100 chart. That makes it the number-one Pop song in the country. That means a song that references cooking dope in a crockpot is the most played song in America, son. Now, I don’t know about anyone else, but that tidbit makes me feel all warm and fuzzy inside, man. While Quavo may be the most visible member of Migos, Offset is the star of this song and has all of the memorable catchphrases. Hell, the hook of the song ain’t even really a hook, man. It’s just another Offset verse where he gets to stunt in preposterous ways. Man, what’s not to love about this fucking song, son?

I mean, that’s all, folks. I’m just happy that a song I enjoy so much has topped the charts. While I’m at it, shout-out to Metro Boomin for producing damn near every jam over the last three years and finally getting his first number-one song. For me, his work on 21 Savage‘s Savage Mode makes me want to kick small puppies and throw hamsters like I’m playing shot put. All in all, it’s songs like this that keep me sane in this world, son. Everyone needs to get on the train. Good day.

Did J. Cole Diss Kanye West & Drake?

Damn, it was all good just a week ago, son. That dude Kanye West just can’t seem to catch a break, man. At this point, I’ve already chronicled a bunch of the fuck shit he’s been involved in, but now we may have to add “dissed by J. Cole” to the list. After watching Cole’s Eyez documentary on Tidal, it definitely seems like Cole took shots at both Kanye and Drake on his “False Prophets” song. If that’s the case, let the games begin!

Now, this is one of those cases where I’d much rather quote the words directly, as opposed to just paraphrasing. With that being said, take a look at what Cole said in one of the song’s verses:

“Life is a balance/You lose your grip you could slip into an abyss/No doubt, you see these niggas trippin’/Ego in charge of every move, he’s a star/ And we can’t look away due to the days when he caught our hearts/He’s falling apart but we deny it/ Justifying the half-assed shit he drop, we always buy it/When he tell us he a genius but it’s clearer lately/ It’s been hard for him to look into the mirror lately/There was a time when this nigga was my hero maybe/That’s the reason why his fall from grace is hard to take/’Cause I believed him when he said his shit was purer and he the type of nigga swear he real but all around is fake/The women, the dickriders, you know, the yes men/ Nobody with the balls to say something to contest him/So it grows out of control/ Until the person that he truly was all along is starting to show…”

Ok, so, I peeped the possible allusions to Kanye from the jump, but by the time Cole got to the “he tell us he a genius” line, I was convinced he was coming for Yeezus‘ neck, son. I mean, he would have to come out directly and say he wasn’t talking about Ye for me to think otherwise, man. Even then, I still probably wouldn’t believe him. In any case, Cole verbalized what a lot of people, including myself, currently think about Kanye. There’s no denying the man’s a legend, but at some point, his fuckery needs to stop. To me, he’s diminishing his legacy with his persistent irrational behavior. As I said in a previous post, maybe his recent hospital visit will really do him some good. Honestly, that’s all I really want, at this point.

Moving on, I also peeped the possible snipe shot he took at good ol’ Drake. As of right now, no one should be surprised by the news that Drake doesn’t write all of his rhymes. Now, if anyone is still a nonbeliever, just Google “Quentin Miller reference tracks” and have a ball, son. With that being said, when Cole rapped “but come to find out, these niggas don’t even write they shit/Hear some new style bubblin’ up, then they bite the shit,” the only person that came to mind was Aubrey. I mean, isn’t that what he actually does? Let’s be real, how many hit songs has Drake just jumped on so he can ride the wave? Whether we’re talking about Waka Flocka Flame‘s “Round Of Applause,” Migos‘ “Versace” or Fetty Wap‘s “My Way,” Drake has a history of doing exactly what Cole said, man. I still enjoy the dude’s music, but facts are facts, bro. It just is what it is, son.

In the end, I’m never mad at Rap beef, man. As long as the participants can actually rhyme and no one gets hurt, let’s have a fucking free-for-all, son. Rap is a contact sport, bro. Let the gladiators gladiate. Now, I’m positive I used “gladiate” wrong, but I don’t even care. I’m just with the shits, bro. Good day.

P.S. I also peeped how in another new song Cole dissed a bunch of young rappers with “Lil” in their names. Man, I don’t know who pissed in homie’s Cheerios, but he’s coming for everyone, son. The thing is, I support all of it, bro. Viva la punchlines! That is all.

A Message To Rappers With ‘Lil’ In Their Names

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Look, no matter how objective I am in this post, I know some people out there will call me a hater. Sadly, that’s how shit works in our current world. Any time someone has an opinion about something, they’re automatically labeled a hater. With that being said, fuck all of that because I have something to get off of my chest. So, I’m dedicating this post to some of these new rapper with “Lil” in their names.

Now, while I’ve already mentioned this on my blog before, I’ll freely admit I’m a 30-year-old Black dude. Actually, I’m lying, son. I just had a birthday a couple of week ago, so I’m 31 now. In any case, I still consume Rap music at a furious pace. Judging from my socially conscious and political material, it would be safe to assume I’m a big fan of artists like Kendrick Lamar and J. Cole. However; I’d be remiss if I didn’t speak about the virtues of Rae Sremmurd‘s sermons and also mention the fact I’m the treasurer of the FutureHive. I say all of that to say I have no beef with the current state of music. Well, I have SOME beef, but we can speak about that another time. In actuality, the main problem I have with some of these younger dudes is their plain lack of respect for the artists and producers who came before them. If anyone let them tell it, they’d probably insinuate that they’ve reached stardom completely independent of their predecessors.

To keep it all of the way trill, in this particular post, I’m specifically speaking about Lil Uzi Vert and Lil Yachty. While I’d never tell their fans to dismiss their music, I have a major gripe with the way they’ve responded to their musical elders. First, let me start with Lil Uzi. In an interview with Ebro In The Morning on Hot 97, my mind was blown when I saw Vert’s reaction to Ebro asking him to rhyme over a DJ Premier beat. Ok, I get it, this instrumental probably came out when he was a baby, but the look of disdain and confusion on his face was thoroughly baffling to me. Architects like Preemo were vital to the growth of Rap music, not only musically but also business wise. There was a time when ALL of the biggest rappers HAD to have a Premier beat in order for their album to be official. It’s perfectly ok for the sonic quality of an art form to evolve, but how dare this kid judge a legend of Preemo’s caliber! Ultimately, Uzi WISHES his legacy will last as long as his. Someone tell that dude to holla back in five years and see if he’s even still popping. By then, he’ll probably already be the “old shit” he’s looking down on now.

Next, let’s talk about Lil Yachty. In an interview with Real 92.3, Yachty went on a tangent about the irrelevance of having a “cold 16” and telling “old people” to get over the fact the music has changed. He went even further to let us know that no one was doing “spin moves on cardboard” anymore and he could make a hot song just saying “yah.” Ok, now, where do I start? First, this dude essentially said a rapper doesn’t actually need to be good at rapping anymore. Then, he randomly criticized breakdancing. Shit, that’s already two of the four original elements of Hip Hop, man! I’m surprised he didn’t turn around and tell his DJ he wasn’t shit.

Look, like I said regarding Uzi, there’s nothing wrong with progression. The issue here is these younger dudes literally have no respect for anyone who paved the way for them. Do they think they invented 808‘s or getting turnt? Hell, Juicy J had me wanting to fight people in the club since the ’90s, son. Show some fucking reverence for the people who laid the foundation. Because news flash to these newer artists: there’s literally NOTHING happening out here that doesn’t have an origin in something that preceded it.

In the end, I’ll keep playing my Trap music at ignorant levels in the car. Well, not Uzi or Yachty because I truthfully thought their music sucked even before they made their dumbass comments. Tell them to come talk to me when they’ve had a career even remotely as long as the artists they’re dissing. Good day.