Jay-Z’s Verse On Meek Mill’s Album Is Incredible

On the real, I don’t know where to begin, son. I mean, today’s post could either be three sentences or three novels, man. Real talk, Jay-Z BLACKS OUT on Meek Mill‘s “What’s Free.” Like, Mill’s Championships album just came out today and I’ve already played this particular record like 11 times, fam. All in all, from the subject matter to the wordplay to the flow, Hov is reminding everybody why he’s a fucking legend (and the best rapper ever, in my opinion).

Now, keeping it a buck, I’m not sure I can fit all of my thoughts in one article, bruh. Shit, Hov has so many gems in this verse that I don’t know how to kick my analysis off, son. Like, we could talk about his indictment of anyone pitting him against Kanye West. We could talk about his continued championing of Black ownership. We could talk about his criticism of the music industry structure. Hell, we could talk about the metaphors and the flow. All in all, Jay checked all of the fucking boxes with this verse, man. But, don’t take my word for it, fam. Everyone can listen to the song below. At the end of the day, Mill put out a dope album AND let Jay go napalm on a record. Needless to say, I’m with all of it, bruh. That is all. LC out.

Advertisements

So… Eminem Is Pissed, Huh?

So, let me begin this post by saying that Eminem is my number-three favorite rapper of all time. Side note, Jay-Z will always be number-one to me. Also, Kanye West is my number-two, but everyone knows how disappointed I am in him, son. With that being said, allow me to keep it a buck for a second, man. *Sigh* In my eyes, every Em album after The Eminem Show has been trash, fam. That’s right, I’m talking about Encore, Relapse, Recovery, The Marshall Mathers LP 2 AND Revival. I mean, Em will always be able to rap, but those albums just didn’t do it for me, bruh. All I know is, I’m not alone in this assessment. In any case, based on his surprise Kamikaze album, Em took the Revival criticism personally, folks.

Look, I’m going to be brief, son. Eminem disses EVERYBODY on Kamikaze! Like, EVERYBODY, man! Frankly, I don’t have the brain power to link every name to the specific song they’re mentioned in. All I can say is, there are a laundry list of digs on this record, fam. Shit, just off of memory, I remember hearing him diss Donald Trump, Drake, Charlamagne Tha God, Joe Budden, DJ Akademiks, Tyler, the Creator, Earl Sweatshirt, Machine Gun Kelly, Lil Yachty, Lil Pump, Lil Xan and Lord Jamar. Hell, I know there’s more, but my brain can only hold so much information, bruh.

As it stands, most of these disses revolve around either hating Mumble Rap or hating anyone who didn’t like Revival. Listen, Em is my guy, but Revival was wack, son. Real talk, instead of dwelling on that, he should’ve just focused on his next effort. Then again, maybe he needed this kind of energy, man. On the real, this is the best Eminem album is years, fam. For whatever reason, an angry Em over Mike Will Made It and Boi-1da beats is a good thing, bruh. It forces Em to switch up the flow he’s been using for the last damn decade.

In the end, I’ll take it, son. Ultimately, this won’t go down as his best work, but it’s a welcome surprise to me, man. By and by, I wasn’t expecting anything from an Em album. At the end of the day, it’s good to hear him with some semblance of passion, fam. For the record, though, Revival still sucks, Em. Sorry not sorry. LC out.

P.S. It’s super weird that Em threw shots at Drake when “Not Alike” is a BLATANT rip-off of “Look Alive.” Listen, I know that Tay Keith produced both songs, but damn, son! At least TRY to hide the bite, man! Good day.

Put Some Respek On Dame Dash’s Name

Man, I fucks with Damon Dash. Shit, I know that people like to judge him for his falling out with Jay-Z. However, Dash is a legend and should be treated as such, son. In any case, it seems like Lee Daniels missed that memo, fam. Hell, not only did Dash run up on Daniels for not repaying a $2 million loan, but he also filed a lawsuit over the missing money. All in all, Dash hit Daniels with that “run me my check” type of energy.

Ok, for those who missed it, this beef has been brewing for quite some time. Now, according to Dash, he lent Daniels money to fund his movie career. Based on Dash’s story, he gave Daniels the bread needed to create a Richard Pryor biopic, which never saw the light of day. In addition, Dash was supposed to receive five percent of the backend profits from the film. Needless to say, none of that transpired and Dash is PISSED!

Real talk, I can completely understand why Dash is heated, bruh. I mean, look at all of the success that Daniels has had, son. Listen, whether we’re discussing Precious, The Butler or Empire, Daniels has had an amazing run in the industry, man. So, why won’t he just pay Dash his money, fam? Honestly, I feel like people front on Dash because of his failed relationship with Hov and ousting from Roc-A-Fella Records. Keeping it a buck, all of this shit feels like a “kick a dude while he seems to be down” kind of vibe.

Listen, folks need to applaud Dash for his accomplishments, bruh. Keeping it a buck, he’s the one who believed in Hov from the jump. He’s the one who wanted to start Roc-A-Fella after all of the major labels turned Jay down. He’s the one who brought Kareem “Biggs” Burke in to help fund their independent endeavor. He’s the one who actually believed in, and signed, a young Kanye West. Side note, we ALL know about West’s current run of fuckery. But, that doesn’t negate his past work. Anyway, Dash deserves more than the shade that people constantly give him, folks.

In the end, Daniels needs to pay Dash back, son. Ultimately, Dame isn’t going to let this shit go, man. Either way, it makes for amazing entertainment, fam. By and by, Daniels and everyone else need to put some respek on Dash’s name, bruh. Word to Birdman. LC out.

Nas vs. Jay-Z & Beyoncé

So, I won’t lie, son. I’m absolutely trolling with the title of this post, man. On the real, I have no intention of pitting Nas against Jay-Z and Beyoncé, fam. Shit, even though I believe The Carters are being a liiiiiittle bit petty with their release date, I have no evidence to back that up, bruh. With that being said, I’d much rather take this time to talk about the music on Nasir and Everything Is Love. All in all, let’s just get to the shits, folks.

Ok, for those who missed it, it seems like everybody dropped a damn album on Friday, son. Side note, a huge shout-out to Jay Rock, man. Real talk, his Redemption album is fucking DOPE, fam! Everyone should really take a listen. In any case, let’s get back to Nas, Hov & Bey, bruh. To begin, let’s start with Nasir, the new Kanye West-produced Nas album. So, since CoonYe, excuse me, Kanye is behind the boards, it’s probably best to start with the production, people. Now, it’s common knowledge that I’m not feeling Kanye’s whole vibe right now. However, that fool still knows how to make a damn beat, brethren.

Keeping it a buck, Kanye devised the perfect plan for a Nas album: don’t let Nas pick any of the beats and don’t let Nas write any of the hooks. Look, as legendary of emcee that Nas is, he’s TERRIBLE at picking instrumentals, son. Hell, he even uses the song “Simple Things” to address that fact on the album, man. Listen, he tries to spin it in some cool way like “never sold a record for the beat, it’s my verses they purchase,” but come on, fam. He knows damn well his beat selection game is tri-di-dash, bruh. In addition, with The-Dream, 070 Shake and Kanye handling hook duties, Nas can just focus on rapping. Frankly, I don’t know why other producers haven’t taken this approach before.

Anyway, as weird as it is for me to say this, I must be frank, son. *Sigh* Nas himself is my problem with this album, man. Keeping it a buck, this isn’t the best version of Nasir, no pun intended. Listen, Nas will always be able to put words together, fam. Like, that’s his gift in life, bruh. But, I have two issues with his rhyming on this album. First, he raps offbeat… a lot. Shit, just listen to the first song where he talks about the founder of Fox News being Black. It’s offbeat as a muhfucka, folks! Also, his overall bars aren’t as descriptive as I would like them to be. Look, this is the man who wrote “I Gave You Power,” people. He can do better than “Black kids get hit with like five.” That’s all I’m saying, brethren.

Now, that’s all I have to say for Nas, son. Listen, I see people going crazy over the album, but I still think it could’ve been better, man. In addition, we can’t ignore Ye’s fuckery and Kelis‘s allegations against Nas. All I can say is, I don’t blame certain individuals for not fucking with the album, fam. Shit, I’m at the point where I don’t even know who to support anymore, bruh. I swear, all of our heroes may be trash, folks. *Sigh* Being a fan is damn near impossible these days, people. Well, that’s all I’m going to say about that.

Moving on, let’s talk about Jay and Bey’s surprise album, son. Now, to be fair, I haven’t given this album enough spins to have a definitive feeling about it. Ok, yeah, I’ve listened to it about five times, but that’s still not enough time to understand all of the nuance and intricacies, man. In any case, from my first impressions, I must say that the production is immaculate, fam. Look, when I say “immaculate,” I’m purely talking about sonic quality, bruh. On the real, The Carters would NEVER put out a record that isn’t well-produced, people. Shit, they have too much money and too much access for that, folks.

In any case, from a subject matter standpoint, the album ain’t really about nothing. I mean, they already address their marital issues on both Lemonade and 4:44, son. Frankly, unless they start naming Hov’s side pieces, they can’t really shed too much more light on their union. So, where does that leave us? With a lot of stunting in the lyrics, man. Now, stunting is always a good time, so the album has jams to rock out to. But, it’s not like the album is some life-changing work that I need to come running back to. Listen, could I feel differently in a couple of weeks? Maybe. But, as of right now, the album is just cool, fam. Nothing more, nothing less.

In the end, June has been active as fuck with the music, son. Ultimately, there’s gotta be something for everyone, man. All I know is, I’m still on this Daytona album by Pusha T, fam. At the end of the day, who doesn’t want to hear about “flipping a bird” while zoning out at work? That is all. LC out.

Rap Beef Has Always Been Disrespectful

Man, I’ve been talking about Pusha T for almost a week, son. All I know is, between his album, Daytona, and his beef with Drake, all of his moves have been good for Hip-Hop. So, I don’t regret a cotdamn thing, man. In any case, today’s post isn’t exactly about Pusha, fam. If anything, his recent diss to Drake has brought out all of the sensitive people, bruh. Listen, for those who are new to Rap music, battling has ALWAYS been disrespectful, brethren. All in all, if anybody thinks that Pusha went too far on “The Story Of Adidon,” then CLEARLY that person doesn’t know Rap history, folks.

Ok, before I continue, I want to give everybody a little homework, son. Now, it’s impossible for me to highlight every diss song ever released, man. I mean, waaaaaay too many muhfuckas have been snapped on, fam. However, there are three particular songs that are strong enough to prove my point. So, I want everyone to go listen to Tupac Shakur‘s “Hit ‘Em Up,” Jay-Z‘s “Supa Ugly” and 50 Cent‘s “Back Down.” The first song came out in 1996, the second came out in 2001 and the third came out in 2003. Basically, in that decade alone, three of the most disrespectful diss tracks were released, bruh.

Now, let’s examine these songs, son. To begin, let’s talk about “Hit ‘Em Up,” man. So, in the span of one verse, Tupac talks about smashing The Notorious B.I.G.‘s wife, Faith Evans, he calls Lil’ Kim all types of “bitches and hoes” and he threatens to kill the entire Junior M.A.F.I.A. In “Supa Ugly,” Hov talks extensively, and grossly, about how he and Allen Iverson had sex with Nas‘s baby mama, Carmen Bryan. In “Back Down,” 50 explicitly talks about murdering Ja Rule‘s mother, father, wife and children. Shit, he literally says that he would “erase” Ja’s “dirty ass kids,” fam. My God, that’s another level of beef, bruh.

So, in light of all of these songs, is Pusha’s diss to Drake really that disrespectful? Ok, yes, it is, but it’s still not the harshest response in Rap history, son. Look, individually, we all might taken offense to certain punchlines. However, at the end of the day, this is Hip-Hop, man. The entire objective of beef is to demolish the opposition, fam. Needless to say, Pusha is doing EXACTLY what it takes to come out on top, bruh.

In the end, folks need to lighten the fuck up, son. Ultimately, as long as no one is throwing hands or busting shots, let the beef cook, man. By and by, a little verbal gymnastics never hurt anybody, fam. With that being said, I’m still looking for Drake’s response, bruh. All I can say is, he’s going to need to come five times harder than “Duppy Freestyle,” people. That is all. LC out.

Pusha T OD’d On Drake

Sheesh, it was all good just a day ago, son. I mean, I JUST wrote about how Drake got the upper hand on Pusha T, man. Well, it was good while it lasted, fam. All I know is, Pusha’s “The Story of Adidon” is one of the ROUGHEST diss tracks I’ve ever heard, bruh. Shit, it was direct and HIGHLY disrespectful at the same type, brethren. All in all, this is Hip-Hop, folks. Clearly, battling isn’t for the faint of heart, people.

Ok, for those who missed it, Pusha responded to Drake’s “Duppy Freestyle.” Now, when I say he responded, I mean Pusha went for EVERYONE’S jugular vein, son. My God, I don’t even know where to begin with the disrespect, man. In one long verse, Pusha talked about the frayed union between Drake’s parents and he talked about Drake having a son with a porn star. Hell, he even talked about the fact that Drake’s producer, Noah Shebib, is dealing with a lifelong illness. Side note, I won’t lie, fam, I took offense to those bars about OVO 40. Listen, my mother has multiple sclerosis, so I’m sensitive to that. But, if Drake can make fun of KiD CuDi‘s mental health and if Jay-Z can talk about leaving condoms in Nas‘s babyseat, then I guess all is fair, bruh. But, it’s still insane to say, folks.

In any case, this beef just got VERY personal, son. Apparently, Pusha took it there because Drake simply mentioned Pusha’s fiancée, Virginia Williams, in “Duppy Freestyle.” On one hand, I get it, but I still didn’t expect Pusha to OD the way he did, man. Real talk, if those bars were about me, we’d have to fight, fam. On the real, fuck a rap song, bruh. We’re ABSOLUTELY throwing hands after this, folks.

In the end, I don’t know what else to say, son. Ultimately, if we’re comparing “The Story of Adidon” to “Duppy Freestyle,” then Pusha won this round, man. Shit, I feel like a hypocrite because I was just giving Drake his props yesterday. However, I didn’t expect Pusha to come back like THIS, fam. By and by, Drake MUST respond, bruh. Keeping it a buck, he can’t let Pusha cook after this, people. The impudence is WAY too crazy now, brethren. At the end of the day, we have a REAL battle on our hands, folks. All I know is, Pusha is a MUCH different adversary than Meek Mill. Good day. LC out.

P.S. All jokes aside, Drake needs to explain that photo, son. Seriously, why the fuck was he wearing blackface, man? Look, unless Drake was an extra in Spike Lee‘s Bamboozled, I can’t condone this shit, fam. *Sigh* We need answers, bruh. That is all.

‘Whose Mans Is This?’: My Thoughts On The Kanye West & Charlamagne Tha God Interview

So, I’m not going to lie, son. Real talk, I’m going to cheat with today’s post, man. I mean, at this point, I’ve said everything I could possibly say about Kanye West and his coonery, fam. All in all, his sit-down with Charlamagne Tha God hasn’t changed anything for me, bruh. Frankly, Ye has done a TERRIBLE job of eloquently expressing his thoughts and opinions. Side note, I think that’s because, as he proved with T.I., he doesn’t really know what the FUCK he’s talking about.

In any case, today’s plan is to simply re-post several articles I’ve already written about Kanye. On the real, I feel like they all still apply right now, folks. In addition, I’m going to post his interview with Charlamagne and let people take from it what they will. At the end of the day, I really might be out of words, people. Keeping it a buck, I don’t know what else to say about Kanye West. So, I’ll just let my previous words do the talking. *Sigh* People can click on my hyperlinks below. That’s all I’ve got for now, brethren. LC out.

P.S. I have no words whatsoever for Kanye’s interview with TMZ. I… *Sigh* Shout-out to Van Lathan, though. He said everything that needed to be said. Bye.

I’m Done With Kanye West

My Conflicted Thoughts On Kanye West’s Mental Health

Black Republicans Aren’t The Issue, Chance The Rapper