Really, Killer Mike?

So, let me begin this post by saying that I’m a HUGE Killer Mike fan. Because of this, I’m thoroughly disappointed that I’m writing this article, son. In any case, I wouldn’t be me if I didn’t keep it real at all times. With that being said, I have to hold Mike accountable for his actions on NRATV. All in all, I’ve always understood his argument about Black gun ownership. However; an NRA platform is the LAST place he needs to be expressing his views, man.

Now, before I continue, let me make myself clear: I agree with Killer Mike. I agree with the notion that we as Black people need to protect ourselves in this country. Look, it goes without saying that we’ve been a target for violence in America ever since we got off of the boats, fam. Anyway, while I am absolutely behind creating a more comprehensive system for gun ownership, I also believe in bearing arms. Hell, if New York‘s gun laws weren’t so damn insane, I’d most likely own a weapon right now, bruh.

Moving on, I say all of that to say that Mike’s message isn’t my issue with him. My issue is the fact that he sat down with the NRA. Now, in his apology video, he stated that he tried to take a page out of Martin Luther King‘s book and have a dialogue with the other side. However; all the NRA did was take Mike’s words and use them to attack the March for Our Lives movement. Listen, for somebody as intelligent as Mike, I’m disappointed that he allowed himself to be a pawn in a politicized game. Ok, yes, his intentions were pure, but he should’ve known that these people don’t have our best interests at heart. On the real, they never have and they never will, son. Shit, just ask the Black Panthers, folks.

In the end, I hope this is a lesson for Mike. Ultimately, if he wants to have an honest conversation with people he disagrees with, he needs to do it on neutral land. By and by, he can’t go into their space and expect them to play fairly. At the end of the day, a well-meaning talk was turned into a weapon, pun intended. *Sigh* That’s what we get for trying to be reasonable, man. LC out.

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’25’ Ain’t Got Sh*t On ‘Lemonade’

Look, son, I don’t need much evidence to prove my thesis. I mean, if anyone watched the Grammys last night, they’d know that even Adele knows 25 doesn’t hold a candle to Lemonade. During her speech for Album of the Year, Adele essentially told the Grammy committee and the world that Beyoncé deserved that award. Shit, outside of her “black friends” comment that she’s catching hell for, Adele was just trying to do the Lord‘s work, man. I mean, it’s not like the Grammys have an interest in doing the right thing. Needless to say, as last night showed, the Grammys got it wrong… again.

Now, I could make the argument that Black artists are consistently overlooked in all of the “General Field” categories. However; for today, I’m going to stick with Album of the Year. Namely because this is where the most egregious errors are normally made. Year after year after year, the highest award in music ends up going to the wrong fucking album, son. Ok, yes, Adele sells a lot of albums. We all know that, man. But Beyoncé’s album shifted culture… again.

Man, when she put out “Formation,” a million think pieces and White tears QUICKLY followed. Black people praised the optics of one of our biggest stars tackling social injustice. White pundits bemoaned the fact that a star of her caliber made them so uncomfortable. In addition, she shut the Super Bowl DOWN in all of her Black Panthersinspired glory. Now, Adele’s “Hello” was a great song, but it didn’t affect the world like Beyoncé. As for the rest of Adele’s album, it basically sounded like I’m Still 21. She essentially remade her previous album and cashed in. On the other hand, Beyoncé’s sound continued to evolve and she became more daring in her decision-making.

With all of that being said, I really don’t know why I’m acting surprised, man. This is what the Grammys does, son. They continually find a way to reward the less deserving. I mean, this is the same awards show that gave the Album of the Year trophy to Taylor Swift‘s 1989 over Kendrick Lamar‘s To Pimp a Butterfly. This is the same show that gave the trophy to Beck‘s Morning Phase over Beyoncé’s self-titled album. This is the same show that gave the trophy to Herbie Hancock‘s River: The Joni Letters over Kanye West‘s Graduation AND Amy Winehouse‘s Back to Black. Now, Herbie is an undisputed legend, but come the fuck on, man! Are we really playing this game right now? The list goes on and on and on, son. If I decided to look at any random year, odds are I’ll vehemently disagree with whoever got that award.

Ultimately, I believe in the Grammys… in theory. However; in actuality, it’s always a shit show, son. I love the idea of artists being rewarded for their work, but the night always ends up being a travesty. *Sigh* I don’t even know why I keep watching this show, man. In any case, I’ll probably be back at it next year. LC out.