The Tomfoolery Of Brian McKnight’s ‘Back At One’

So, to be frank, this is probably another frivolous post. However, I want to let everyone in on the types of debates that go on in my house. Anyway, just last night, as seen in an Instagram video that I posted, my wife and I had a playful back-and-forth about Brian McKnight‘s “Back At One.” All I know is, if we really analyze the lyrics, McKnight was saying some nonsense, son.

Ok, before I continue, let me say that I’m a big Brian McKnight fan. Like, I kept listening to his albums even after he tried to show women how their pussy worked. In any case, despite his quality discography, I’ve always had an issue with “Back At One,” man. Mainly because it’s a song with steps that aren’t really steps, fam. I mean, there are damn near no actionable items in the chorus, bruh. With all of that being said, let’s go through it, brethren.

Now, step one in the hook is “you’re like a dream come true.” Son, that’s a statement. There’s nothing to actually do with that piece of information. Next, step two is “just wanna be with you.” Fam, I’m gonna need McKnight to look up the meaning of “verb,” because I’m not seeing it, man. After that, step three is “its plain to see that you’re the only one for me.” Brian… Brian! What is the goal here? What are we trying to accomplish? I’m not seeing a game plan, kinfolk.

To make matters worse, step four is to repeat the first three steps that aren’t actually steps. Meaning, by the time someone gets to this step, they actually haven’t done anything of substance, son. Look, if I’m trying to build a table and the first step is “I wanna see you in my living room,” that doesn’t actually help me build the table, man. The truth is, step five of McKnight’s song is the only actionable item: “make you fall in love with me.” The problem is, even that step is vague, fam. How is the suitor supposed to achieve this, Brian? Magic? Money? Genitals? Some combination of all three?

In the end, I’m not here to shit on Brian McKnight. Ultimately, like I’ve said before, I’m actually a big fan of his. By and by, I’m just pointing out the fact that there are gaps in logic in “Back At One.” At the end of the day, it doesn’t take away from the fact that he’s a legend. Shit, even the best musicians write some shenanigans sometimes, bruh. That is all. LC out.

I Bangs With This Tame Impala Album

So, let’s just skip the formalities and get straight to the point, son. Real talk, I fucks with Tame Impala heavy. Now, I’m going to sit here and pretend like I knew about Kevin Parker from the beginning. In fact, I got hip to his work after listening to “Elephant” from the Lonerism album. Furthermore, I became fully-invested after hearing his contributions to Mark Ronson‘s Uptown Special album and his own Currents record. All in all, I expected greatness from his new The Slow Rush project. Needless to say, he didn’t disappoint, man.

Ok, in order to understand why I love this new album, folks need to understand the musical attributes that I cherish. Now, if a record has any combination of guitars, synths, dope bass lines, hard drums and vocal harmonies, then I’m an instant Stan, fam. All I can say is, this new Tame Impala album has all of that, bruh. Frankly, as a musician, I love hearing projects that make me question why I even bother making music. That’s what this The Slow Rush album does for me, bruh.

In the end, there’s nothing else to say, son. Ultimately, I’m advising everyone to go listen to this joint, man. By and by, Kevin Parker is a fucking genius, fam. In any case, below are some of the songs that I’m digging the most on this project. Enjoy! LC out.