This J.I.D Album Is Crazy!

So, I’m going to keep this post super brief, son. Long story short, this new J.I.D album is crazy, man! I mean, this dude is RAPPING rapping, fam. Like, the amount of words he’s able to fit on this DiCaprio 2 album is fucking nuts, bruh! Side note, I’ve seen this project listed as an album and a mixtape. Which one is it, brethren? Then again, in this current era, who the fuck knows, folks? In any case, J.I.D has successfully transformed himself from a high-potential prospect to a full-on monster, people. All in all, everybody needs to get down with the getdown.

Now, like I’ve said earlier, I won’t waste anymore of people’s time, son. Shit, I’ve said my piece, man. The rhymes are fire, the beats are hard and the hooks are serviceable. What more do folks need to know, fam? Exactly. So, I’m just going to highlight some of the songs I fuck with below. At the end of the day, J. Cole did the right thing by signing J.I.D, bruh. Hell, Kendrick Lamar comparisons aside, this dude has a bright future ahead of him, people. Hasta luego (pun intended)! LC out.

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Nah, Usher, We’re Good

So, before anyone out there thinks I’m hating, let me make one thing clear: I’m a big Usher fan, son. I mean, if we’re being real here, he has one of the strongest discographies in R&B history, man. Listen, any artist who goes from My Way to 8701 to Confessions should never be disrespected, fam. Hell, I even think Here I Stand is criminally underrated, bruh. Honestly, the title track alone is worth the price of admission, folks. With all of that being said, this new album ain’t it, people. All in all, Trap Usher needs to get the fuckity-fuck outta here, brethren.

Ok, for those who missed it, Usher just dropped a surprise album on Friday. Moving on, not only did his “A” album come out of nowhere, but it also features only one producer: Zaytoven. Now, for anybody who’s unfamiliar with Zaytoven, let me explain it like this: pick any Gucci Mane or Future jam from the past 10 years and there’s a good chance that Zaytoven did it. Hell, he’s a staple in the Atlanta music scene, son. In any case, he solely handles the boards on Usher’s latest effort.

To be clear, my issue with this album is not Zaytoven’s production. Hell, the beats sound exactly the way I would expect them to, man. Real talk, my problem is Usher, fam. Listen, in 2018, I’m not trying to hear Trap Usher. I’m not trying to hear Strip Club Usher. I’m not trying to hear Turn Up Usher. Look, does everyone see where I’m going with this? On the real, Usher is too damn grown to be singing about childish subjects, bruh. Like, he’s a legend, people. He shouldn’t feel the need to chase trends. Keeping it a buck, that’s why his last few projects haven’t been hitting. He’s more concerned with keeping up with the times than simply being himself.

In the end, no thanks, Usher. Ultimately, the minute he gets back with Jermaine Dupri and Bryan-Michael Cox, I’ll be back onboard, son. Fam, did Usher hear Cox’s work on Ella Mai‘s “Dangerous?” *Sigh* That could’ve been an Usher joint, man. Anyway, the point is, I want Usher to sound like Usher, bruh. I don’t want him to sound like 6lack. Side note, I’m a 6lack fan, so don’t take that as a diss. Anyway, I’m not here for the “A” album. That’s all I have to say, folks. That is all. LC out.