So, before anybody says anything, I’m fully aware of the fact that I criticized the press rollout for the new The Lion King. Keeping it a buck, I stand by everything I’ve said, son. Shit, Disney did the absolute most to prop Beyoncé up as the star of the show, man. Anyway, I’m still going to give the movie a shot, fam. All I know is, my wrath will be in full effect if Jon Favreau and company ruined a classic, bruh. With all of that being said, I decided to give Beyoncé’s The Lion King: The Gift album a spin. After two listens, I really fucks with it, brethren.
Now, given the African influence of The Lion King, it was easy to surmise that Afrobeats would have a prominent role in the music. To that point, Beyoncé got a lot of dope Nigerian and Ghanaian artists to grace the songs. Whether we’re talking about Burna Boy, Tiwa Savage, Wizkid or Shatta Wale, a lot of credible African artists got their just due, son. Look, as a Carib kid who was raised on Calypso and Soca, I feel at home with Afrobeats, man. I mean, there’s a distinct commonality throughout all of the music of the diaspora, fam. So, I’m just happy to see all of this come to fruition, bruh.
Moving on, a bunch of other dope artists got a chance to flex on some of the records, son. Like, Jay-Z‘s on a track with Childish Gambino, Kendrick Lamar is dueting with Beyoncé, Saint Jhn is getting some much needed recognition and Tierra Whack is destroying everything in sight. All in all, I can’t really say there were any songs I straight up disliked, man. Frankly, this is a well put together soundtrack, fam. So, major props to Beyoncé, bruh.
In the end, I’ll do my best to separate the music from the movie, son. Ultimately, I just hope the film wasn’t diluted, man. By and by, I’m seeing the picture on Saturday, so I’ll judge for myself, fam. If push comes to shove, at least I have the album, bruh. *Sigh* Don’t let me down, Disney! Don’t let me down. That is all. LC out.